So I’m finally catching up with 24. I was enthralled by the first season, and eagerly watched it as it came out. I recall reading at the time (don’t remember where) an interview with Keifer Sutherland where he speculated that the show could never run for more than two Seasons. While the second and third seasons kept me watching every week, I always felt a little less for having done so. Finally, by Season 4, it wasn’t important enough to set aside time to watch or record it, and I let it go.
Until now. It is one of the free shows available with Amazon Prime. And just like that, I’m back into the cycle of addiction. For some reason, year after year American deals with an existential terrorist threat and only one man, Agent Jack Bauer, can stop it. If you read it, I discussed what I called the “small world” problem in my Under the Dome review. Why the fate of the world so often depends on the doings of a handful of people within a 20-block radius in downtown Los Angeles is a puzzle I’ll leave to you, the reader.
Instead, I’ll comment on what is bothering me most about the series. It’s a minor thing, that has only reoccurred one or twice in each season. Each time I see it, though, it really irks me.
Now, much has been written about the silly portrayal of guns in Hollywood in general and in 24 in particular. I could go on and on about all the little mistakes in 24 that bug me. What really gets to me most, though, is the sounds made by empty guns. Especially machine guns. When a 24 machine gun runs out of ammunition, it makes this whirring and clicking noise – as if it were some kind of electric-powered minigun. Quite clearly, this was added in during the post-production sound editing. There are very obvious instances where a firearm is quite clearly empty and locked back, and yet it continues to make clicking noises that couldn’t possibly come from the real thing (or, for that matter, the blank-firing versions used to film the scene.)
So why does this happen? Why can’t the entertainment business include even a high-school level of physics research into their stories? Do they not know, or do and just not care? Maybe it is a little of both. It’s quite likely that an L.A.-based sound editor has no direct knowledge of what a machine gun does or, more importantly, doesn’t sound like. It is also possible that, knowing that it’s likely that most of the viewing public shares in this ignorance, the producers/directors decide to exercise a little artistic license. In reality, how does one tell the difference between a wielded machine gun that has stopped firing because it is out of ammunition as opposed to the shooter simply having stopped firing. Short of having the character mutter, “Damn, I’m out” in every scene, a little sound effect will do the trick. We all know that a double-action revolver will click-click-click when you pull the trigger (thanks Deer Hunter). So why not the same for any pistol? Similarly machine guns, but these also need some kind of a machine sound. They are “machine” guns, after all.
That’s what really annoys me. Yet, I keep watching so I guess, from Hollywood’s standpoint, it’s all OK.